Development of Chinese cinema line
The Author of this article is Petter Jackson and Allan Hubbard.
This article is from new line Cinema-warneros.com
Cinema of China line
Hereinafter referred to as 'cinema'. The film industry a monopoly of the operating system. Operators for the development and protection of their business interests, and in some cities or regions, would have a number of cinemas, establish screening network, whereby a State monopoly or on a new release of the film studios. China first appeared of cinema line, is century early to 20 generation medium-term, by Spain movie businessman a. Ramos in Shanghai established of, by Hongkou, and summer distribution grams, and Victoria, seven home cinema composition of cinema line; subsequently China cinema company in flat, and Jin, and Shanghai, to also built quite scale of cinema line; 20 early China movie capitalists Luo Mingyou in North, and Northeast established cinema line; 30 generation, days a film company entrepreneurs Shaw Brothers in Singapore, and Maia West, to formed Nanyang cinema line. Places such as Hong Kong and Taiwan now still some film distribution and exhibition system of commercial cinema. After the reform, the reintroduction of Shanghai cinema system.
Movie sites for the audience. Movies in the initial, is shown at the cafes, teahouses and other venues. As the movie progresses and development, there has been built specifically for film and cinema. Development--from silent to sound films, and even stereo, from black and white to color, from screen to screen, wide screen and dome ring, making cinema the shape, dimensions, proportions and acoustic technology that great changes have taken place. Cinema film projection process requirements must be met, received the good visual and audio effects. Auditorium is the main component of cinema. Auditorium design is based on the silver screen, the size of the screen determines its size, the shape of the screen determines its shape. Flat screen cinema auditoriums were generally rectangular or trapezoidal ground must slope. Auditorium acoustic requirements include: reverberation time is shorter than in other venues; lower ambient noise. Projector room apart from the Auditorium theater is another important component. Its location above the Auditorium after, but the angle of the projector have some provisions, such as 35 mm film, normal screen, angle of 12 degrees. Its size is dependent on the device determines the size of the projector.
After the end of the war, a second golden age took place, with production in Shanghai resuming, with films such asSpring in a Small Town (1948), named the best Chinese-language film at the 24th Hong Kong Film Awards. After thecommunist revolution in 1949, previous and some foreign films were banned in 1951, and movie attendance increased sharply. During the Cultural Revolution, the film industry was severely restricted, coming almost to a standstill from 1967 to 1972. The industry flourished following the end of the Cultural Revolution, including the 'scar dramas' of the 1980s, such as Evening Rain (1980), Legend of Tianyun Mountain (1980) and Hibiscus Town (1986), depicting the emotional traumas left by the period. Starting in the mid to late 1980s, with films such as One and Eight (1983) and Yellow Earth (1984), the rise of the Fifth Generation brought increased popularity to Chinese cinema abroad, especially among Western arthouse audiences, with films like Red Sorghum (1987), The Story of Qiu Ju(1992) and Farewell My Concubine (1993) winning major international awards. The movement partially ended after theTiananmen Square protests of 1989. The post-1990 period saw the rise of the Sixth Generation and post-Sixth Generation, both mostly making films outside of the main Chinese film system and played mostly on the international film festival circuit.
Following the international commercial success of films such as Crouching Tiger, Hidden Dragon (2000) and Hero(2002), the number of co-productions in Chinese-language cinema has increased and there has been a movement of Chinese-language cinema into a domain of large scale international influence. After Dream Factory (1997) demonstrated the viability of the commercial model, and with the growth of the Chinese box office, Chinese films have broken.box office records and, as of January 2014, 6 of the top 10 highest-grossing films in China are domestic productions, with Lost in Thailand (2012) currently being the highest grossing Chinese film in the domestic market and the first to reach yen;1 billion.
China is the h
剩余内容已隐藏，支付完成后下载完整资料
Development of Chinese cinema line
The Author of this article is Petter Jackson and Allan Hubbard.
This article is from new line Cinema-warneros.com
Cinema of China line
Hereinafter referred to as 'cinema'. The film industry a monopoly of the operating system. Operators for the development and protection of their business interests, and in some cities or regions, would have a number of cinemas, establish screening network, whereby a State monopoly or on a new release of the film studios. China first appeared of cinema line, is century early to 20 generation medium-term, by Spain movie businessman a. Ramos in Shanghai established of, by Hongkou, and summer distribution grams, and Victoria, seven home cinema composition of cinema line; subsequently China cinema company in flat, and Jin, and Shanghai, to also built quite scale of cinema line; 20 early China movie capitalists Luo Mingyou in North, and Northeast established cinema line; 30 generation, days a film company entrepreneurs Shaw Brothers in Singapore, and Maia West, to formed Nanyang cinema line. Places such as Hong Kong and Taiwan now still some film distribution and exhibition system of commercial cinema. After the reform, the reintroduction of Shanghai cinema system.
Movie sites for the audience. Movies in the initial, is shown at the cafes, teahouses and other venues. As the movie progresses and development, there has been built specifically for film and cinema. Development--from silent to sound films, and even stereo, from black and white to color, from screen to screen, wide screen and dome ring, making cinema the shape, dimensions, proportions and acoustic technology that great changes have taken place. Cinema film projection process requirements must be met, received the good visual and audio effects. Auditorium is the main component of cinema. Auditorium design is based on the silver screen, the size of the screen determines its size, the shape of the screen determines its shape. Flat screen cinema auditoriums were generally rectangular or trapezoidal ground must slope. Auditorium acoustic requirements include: reverberation time is shorter than in other venues; lower ambient noise. Projector room apart from the Auditorium theater is another important component. Its location above the Auditorium after, but the angle of the projector have some provisions, such as 35 mm film, normal screen, angle of 12 degrees. Its size is dependent on the device determines the size of the projector.
After the end of the war, a second golden age took place, with production in Shanghai resuming, with films such asSpring in a Small Town (1948), named the best Chinese-language film at the 24th Hong Kong Film Awards. After thecommunist revolution in 1949, previous and some foreign films were banned in 1951, and movie attendance increased sharply. During the Cultural Revolution, the film industry was severely restricted, coming almost to a standstill from 1967 to 1972. The industry flourished following the end of the Cultural Revolution, including the 'scar dramas' of the 1980s, such as Evening Rain (1980), Legend of Tianyun Mountain (1980) and Hibiscus Town (1986), depicting the emotional traumas left by the period. Starting in the mid to late 1980s, with films such as One and Eight (1983) and Yellow Earth (1984), the rise of the Fifth Generation brought increased popularity to Chinese cinema abroad, especially among Western arthouse audiences, with films like Red Sorghum (1987), The Story of Qiu Ju(1992) and Farewell My Concubine (1993) winning major international awards. The movement partially ended after theTiananmen Square protests of 1989. The post-1990 period saw the rise of the Sixth Generation and post-Sixth Generation, both mostly making films outside of the main Chinese film system and played mostly on the international film festival circuit.
Following the international commercial success of films such as Crouching Tiger, Hidden Dragon (2000) and Hero(2002), the number of co-productions in Chinese-language cinema has increased and there has been a movement of Chinese-language cinema into a domain of large scale international influence. After Dream Factory (1997) demonstrated the viability of the commercial model, and with the growth of the Chinese box office, Chinese films have broken.box office records and, as of January 2014, 6 of the top 10 highest-grossing films in China are domestic productions, with Lost in Thailand (2012) currently being the highest grossing Chinese film in the domestic market and the first to reach yen;1 billion.
China is the h
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